
Haus Schminke by Hans Scharoun. Really great building, everyone loved it!
My drawings, let me show you them.

A reoccurring theme in our travels through the Veneto and Italy was the Palladio Villa. We examined eight different villas and noted the similarities and differences between the facades and plan of the buildings. By the time we were done, I had a great collection of these simple drawings that look impressive when compared side-by-side. It is interesting to see how Palladio warped his nine square plan in each instance. Here we have Villa Malcontenta, San Giorgio Maggiore (not really a villa, but still designed by Palladio), Villa Cornaro, and Villa Rotunda.
The Jewish Museum in Berlin by Daniel Libeskind is an interesting place. It seems to be less a museum about Judaism and more about a memorial of the events of the holocaust. It treads a fine line between a tomb-like reverence and theme park exploration. One of the rooms was the "Face Room." It is a tall, empty chamber with light streaming down from above. On the ground were over 10,000 rough-cut iron faces. The faces appear to be locked in an expression of screaming or suffering. One had to walk on the faces in order to cross the room. When you step on the faces it creates a load metallic banging sound that reverberates throughout the chamber. It really gave me a feeling of anxiety and shame. This installation is an art piece called "Shalechet" or "Fallen Leaves" by Menashe Kadishman. Of the many set pieces, this room was probably my favorite, just for the emotions it was able to command. A powerful reminder of the sorrow and pain of the Holocaust.


From my architecture sketch book, even though it's not a building... In Berlin our group had the fantastic opportunity to visit the Berlin Philharmonie and watch a live performance. It was incredible. The space is arranged in such a way that there is no real focal point. The orchestra is situated in the middle with haphazard seating placed in tiers around the pit. Some seats don't even directly face the center, the audience members would have to physically turn slightly to face the show. I tried to sketch the space, but I became frustrated by my results and turned instead to drawing instruments. The harp is an elegant and mysterious (to me) instrument, and it happened to catch my eye. The cellos on the other hand, I've had a bit of an obsession with cellos lately. I love how they look, sound, everything! I'd love to learn to play, but I'm afraid I couldn't possibly afford a cello. It might be worth it to pick up a junker for a couple hundred bucks on eBay just to tinker around with.
From my study abroad sketchbook; The Kunsthalle Wien. On our free day in Vienna, I had some extra time to sit down and get some good solid sketching in while I waited for a friend. This building is in the Museum Quarter of Vienna. It's a great public space with several art museums, cafes, and these strange, large, yellow sculptures that act as seating. Vienna was a really great city, probably my most favorite on the trip.
